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Reading: Blind Malian musician’s joyful songs opened eyes to new hope
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Local Ipswich News > Blog > Disability News > Blind Malian musician’s joyful songs opened eyes to new hope
Disability News

Blind Malian musician’s joyful songs opened eyes to new hope

Local Ipswich News
Local Ipswich News
Published: August 3, 2025
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Amadou & Mariam – “the blind couple of Mali”– shared heritage as descendants of the ancient Boula blacksmith lineage.
Amadou & Mariam – “the blind couple of Mali”– shared heritage as descendants of the ancient Boula blacksmith lineage.
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AMADOU Bagayoko (1954-2025), the legendary Malian guitarist, singer and composer of the famed duo Amadou & Mariam – “the blind couple of Mali” – died earlier this year in Bamako, aged 70.

Amadou and his wife Mariam Doumbia met as students at the Institute for the Blind in Bamako in the 1970s. They married in 1980 and began performing together, blending traditional Malian sounds with rock, reggae and Cuban rhythms. Their breakthrough came with the hit album Dimanches à Bamako (Sundays in Bamako), produced by Manu Chao, which celebrated Mali’s vibrant street wedding parties.

They later collaborated with Damon Albarn and others, creating infectious, genre-bending music that earned them global fame.

Their stage presence as a blind couple – always coordinated, affectionate and spirited – was as unique as their sound.

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Their lyrics often focused on love and social values, resonating in a region where such themes were uncommon.

Amadou & Mariam performed at major international events, from the 2006 Football World Cup to the 2024 Paralympics and Barack Obama’s Nobel Peace Prize concert.

Despite their acclaim, the couple remained tireless advocates for people with disabilities and were admired for their integrity.

Their shared heritage as descendants of the ancient Boula blacksmith lineage – once regarded as noble and powerful – perhaps underpinned their creative force and strong cultural identity.

Before the duo’s international success, Amadou had already made his mark in Mali’s 1970s dance band scene, performing with Les Ambassadeurs, fronted by Salif Keita.

But as the political tides turned in the late 1980s, Amadou & Mariam’s stripped-back recordings on cassette captured the spirit of Mali’s new democratic hopes.

Even then, their graciousness, belief in their music, and unwavering vision were striking. They slowly built a career based on originality and joy.

Amadou’s passing marks the end of an era for Malian music. Together with Mariam, he leaves behind a powerful legacy of love, perseverance, and hope. My heartfelt condolences to Mariam.

.Lucy Durán, Professor of music, SOAS, University of London

Published: April 7, 2025 – (Extracts from TheConversation.com

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